Wednesday, July 10, 2019

The Sopranos - the end

Finally finished The Sopranos. Is it a good show? Absolutely. Is it for everyone? No.

My wife and I as well as our company watched Oceans 8, and I wasn't that interested. My wife caught my sarcasm, but our company did not. My wife picked up on my displeasure of the dishonest con artist nature portrayed in the movie, and she spoke of how I hold honesty in the utmost highest regard. But later she asked the question how I can feel that way about Oceans 8 and still watch The Sopranos (hinting about the justification of the fictional Jersey mob's actions). But truth is, I can't justify it. The amount of times average innocent people get screwed, railroaded, hurt, and killed on the show by the Soprano crew is staggering. It bothers me. It's because their criminal business model is taking cuts from local businesses run by both average people and mob affiliates and allies. And when someone doesn't do what it takes to pay up what the mob says they have to have, there are supreme consequences. Sometimes it's also a person who's with a mob target or enemy, or an unwitting witness. In the Soprano world, just don't witness any of their activities, even though it's easier said than done. Basically their business is built on dozens or more little money making operations constantly ongoing, and every single one is important in the entire scheme of things. The Godfather trilogy has never bothered me because the Corleone's business strategy is one or two massive operations where they have their own infrastructure and cooperative relationships with relevant entities to keep it going. No innocent people are involved, and everything is built to keep on the up and up. It's still wrong on some levels, but for the most part, the only offended groups would be senators and the FBI. Also, when you look at the family history of the Corleones, they have been the innocents at the hands of an evil and ruthless organization, so why would they turn into the same to someone else?

I don't justify it at all, but the Soprano dynamic adapted to a society that doesn't stay constant for very long. With the tools and resources law enforcement has, big long operations can't stay for very long. It's their reality even if they don't like it.

Despite the brutal by nature of their business model, the other things that make the show unique and good is that Tony has a family, is a suburban dad, seeks to send his kids to college, is involved in their school and extra curricular activities, takes care of extended family, has depression and a mid life crisis, and is seeking therapy....................who happens to be the boss of a New Jersey organized crime family. Also the love-hate relationship between him and his mother and the the Ally one moment and enemy the next relationship between him and his Uncle is quite entertaining. The shop has some very colorful characters with surprising moments of compassion despite the ugliness.

By the way, I'm not going to speculate on the ending. Do what the creator says "don't read into it more than what you see." In fact, he mentions that all it is is a ending snapshot that life goes on, but the audience won't be there to see it anymore.

Friday, March 8, 2019

The difference between joking around and breakin' balls

Joking around is just joking around. You joke around with your friends and family. It's good comraderie. Tony Soprano jokes around with his best friend Artie Bucco (who is not a mob guy). There are plenty of mob guys joking around with mob guys. But then there's breakin' balls.

Breakin' balls starts with joking to someone or about someone concerning a perceived character fault, negative or embarrassing event at the expense of that person. The breakin' balls gets more personal and heated in an effort to illicit the biggest rise out of the other party. Sometimes it's done as starting out as the antagonizer just joking around at first. Sometimes it's done on purpose because party A dislikes or has a big grudge against party B. Breakin' balls rarely ends in just hurt feelings. It ends with at least a fight, and at most someone's life ending. The scene in GoodFellas is a prime example. But The Sopranos has the longest run of breakin' balls incidents.

Now, breakin' balls can occur in our normal, non-mob affiliated lives. A person you don't care for starts giving you a hard time, insulting you at your expense. When that happens, it's best to be polite, put on a brave face and perhaps walk away.

If you ever hear someone use the term "breakin' balls", you might want to be on your toes.

Fat Tony and the Springfield mob

I haven't watched much of The Simpsons probably since 2000 or about the time Family Guy came on. The Simpsons became repetitive, and felt less relatable. But clips that come up on my YouTube recommendations has stirred up some renewed interest.

I love the mob in The Simpsons. They're parodied in ways that no other show can match, even Family Guy is no where on the same level. Fat Tony and crew are hilarious and represent so many characteristic stereotypes of TV/movie mob personalities. And ever since The Sopranos got big getting into the early 2000s, everywhere Fat Tony goes in a car, they cue the beginning theme song from The Sopranos. It's just excellent.

Wednesday, March 6, 2019

Frienamies

Frienamies

The Soprano/New Jersey crime family and the Lupertazzi/New York crime family.

They argue, debate, get things confused, don't see eye to eye, get angry, go off half-cocked, they question each others motives, they try to out-think the other side, they sabotage, they hurt or kill each other; they cooperate, they negotiate, they work together, they agree, they work things out, they keep the peace, they make mutual deals, they keep things reasonable, they co-exist.